fulltone fulldrive 2

This is obviously only a concern for studio-recording situations where there may be situations of mechanical clicking being picked up in the studio unless one is playing at a substantial volume (which is where most tube amps like to be anyhow). Now, is well, another story. The boost control adds another dimension in tonal versatility. In comparing a TS-808 circuit to the FullDrive 2 using both as a clean boost, they both responded similarly but I do have to say that the FullDrive 2 was even more responsive to the touch, especially with the compression cut feature activated. The Fulltone Full Drive 2 is the most popular boutique overdrive in the world, combining two highly adjustable gain stages into a single casing. When using the Fulldrive 2 in front of the Hiwatt, in essence I had a three-channel setup; a clean sound when bypassed, overdrive when activated and a more-sustained overdrive when activating the boost switch. In fact, Fulltone manufactures the 3DPT switch themselves, which is basically a douple-pole-double-throw (DPDT) switch with an extra row of contacts that allows an LED to be designed in. It is clear that attention to detail, component layout, and design are important to Mike Fuller. You don’t often see that kind of care being taken when building pedals anymore. While I can’t speak of a negative in terms of construction quality, I do have a suggestion for the Fulltone team for the future. Playing through a Fender as well as an old Marshall Super Lead yielded great results. The other, is that plain and simply, they’re just built better than what you can commercially get today. Maxon Apex 808 Review: The King of Screamers? Original Fulltone Fulldrive 2 in Brushed Aluminum. Great tone, very smooth – it was the Marshall, but just more of it! Even companies such as Boss that mass-produced many units since the ‘70s, did an excellent job and the quality was top notch while the pedals were being produced in Japan. the cost) down to as little as possible. In fact, I’ve made the argument before as well that the primary source of gain that sounds pleasing to the ears is always that which is supplied by the power tubes, although there’s nothing wrong with preamp-tube based devices. Vintage 1996 Full Drive Pedal In short, to make true-bypass is one thing – true-bypass with LED use is a whole different ballgame so Fulltone solved this problem by making its own. Overall boost available is a healthy 20 dB’s. Based around the desirable JRC4558 chip and 1990’s Full-Drive circuit, with 2 toggle switches for many more sonic options. The Fulltone Fulldrive 2 is similar to the recently reviewed Hughes and Kettner TubeFactor in that it has two separate switchable gain stages so two footswitches are incorporated. Order Page. With a dizzying array of niche overdrives filling the market, the Fulltone Full Drive 2 remains a no-brainer necessity for studio or stage when you don't want to spend hours swapping out other ODs. This combination boost/overdrive pedal has been a hit for a number of years now. If you’ve been searching for that special something that will “just give you a little bit more” out of your setup, or if you’re starting from ground zero and want a flexible two-channel overdrive, look no further. The Fulltone Fulldrive 2 Mosfet responds equally well with humbuckers or single coils. One to turn the unit on and off, and the other is used to kick in the boost stage. see your favorite authorized Fulltone Dealer. The FullDrive 2 also provides much more boost, a feature that even heavy metal/hard rock players will love when running in the front of master volume Marshall amps for example. Featuring a Vintage mode for a midrange heavy overdrive and an FM (flat mids) mode for a more transparent overdrive, the Fulltone Fulldrive 2 Mosfet has become an industry standard for guitarists. However, the versatility and the combinations of sounds available make it worthwhile to explore. The better method in my opinion is to simply use it to boost an already-good tube amp such as the Marshall master volume models. It is housed in a double-wide enclosure, but easily sports enough features to justify its use of real estate. Its quality construction is second-to-none, its tones are stunning and almost any player can benefit from using one. I tried this on my own ’76 master volume (the one photographed for the LegendaryTones.com logo) with the preamp cranked to full on the Marshall. One reason is of course primarily the tone that they offer. This smooth as silk overdrive pedal can give you the blues, or scream like a banshee. And this tone has much more character than the Mesa-Boogie “over-gained” Rectifiers you hear on the radio as the Marshall still had a sense of dynamics and “feel”. steel enclosure, the dual-channel Full-Drive 2 Mosfet gives you the best of both worlds. Fulltone Full-Drive 2 MOSFET Overdrive Pedal Review 5 Peter 2020-06-14 01:18:43 The Fulltone Full-Drive 2 MOSFET is an amazingly versatile overdrive and boost pedal. This definitely turned into metal territory. Additional features include standard ¼” input and output jacks as well as an AC receptacle for 9 volt operation. Running this quality overdrive through a quality amp such as the Hiwatt made it so I could honestly say that I could not tell that this was not a tube device. Finding the Fuzzy Magic: Analog Man Mike Piera Mods and Demos our Fuzz Face. Fulltone is one of the good ones. If it’s consistent with Fulltone’s other products, it should be a killer. This is beneficial to players like myself that like the sound of the amp providing the majority of the tube compression and like to use pedals instead for their ability to add a clean boost to the overall signal. As a standalone device, the FullDrive 2 used in this fashion should satisfy rock and blues players alike, however this is not a “super-gain” type of device. It takes time to explore the different sonic possibilities out of the Fulldrive 2 especially since the changes are very dramatic when using the compression cut feature. Remarks have been made about the FullDrive 2 being similar to a Tube Screamer. Lynch Mod 100% Pure Tube Gain Module for Marshall Amps! For the ultimate in low to mid gain overdrive pedals, check out the Fulltone Fulldrive 2 Mosfet. These days, it is about getting the bottom line (i.e. Features. According to Fulltone, the Fulldrive 2 gets its natural sound through the use of Asymmetrical Clipping and Fuller’s own “Feedback Loop” circuit that is a way of creating distortion high in even ordered harmonics like a Class A tube amp. In that fashion, you’ll get all the gain you’ll need – with a quality tone and you’ll then avoid getting the crappy “distortion-box sound”. The Fulltone Fulldrive 2 is hand-built and cleanly wired. (adsbygoogle = window.adsbygoogle || []).push({}); The volume control is a push/pull type that adds a compression cut feature when pulled. Housed in a beautiful powder coated Blue 16ga. The not-so-good ones may advertise as boutique to ride this recent wave of popularity but may still be using low-cost parts or use mass-produced low-quality PCBs from overseas. The good ones take pride in their work, producing products that both sound good and are well-built. Having said this, Fulltone is planning a tube-based distortion unit that will be available later this year and we hope to be able to get our hands on one when they become available. The 3DPT footswitches are of excellent quality but would be even better if offered or made as the silent-switching variety (SPDT versions have been incorporated on products such as the Digitech Whammy II, obviously not the same caliber of quality though). That is not the unit’s intention and those looking for that tone all in a box should look elsewhere.

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